071

May. 31st, 2009 09:34 pm
witticaster: Several lines of crossed-out poetry and a hand holding a fountain pen, drawn in charcoal & ink. (we are god)
This wasn't one of my better papers for leslit, imo, but for completion's sake, et cetera. (I didn't write a paper on Zami, and I'm not sure I should post my Fun Home paper when it was collaborative, so this is the last of them, at least for now.) I found it overwhelming as hell to try and write one page, single-spaced, on a five hundred page book, so I narrowed my subject down hardxcore; thus, this is about the ways Cal(lie) and Desdemona's hair suggests their identities and marks major turning-points in their lives. I still like the subject, but I don't think I wrote it well, lolsigh.

Hair, Identity, and Middlesex )

070

May. 31st, 2009 09:26 pm
witticaster: Several lines of crossed-out poetry and a hand holding a fountain pen, drawn in charcoal & ink. (curious)
One in a series of lol-leslit-papers-for-Pelly. ♥ This was for Rita Mae Brown's Rubyfruit Jungle, and it doesn't really have anything to do with narrative structure (which is the subject that kind of propelled me to post all these), but...complete set and et cetera. /o/ My point here was rather better summed up by a contemporary review of the novel by the Village Voice, alas. Molly Bolt is the lesbian Natty Bumppo, a lesbian Paul Bunyan: she's in the pattern of the larger-than-life American folk hero. If Brown wasn't such a crazyass old lady (no, seriously, I have video proof of this available if you want), I'd say that it was a specific decision to force open the mythos of American legendary figures to people who've up to now been excluded from the pantheon. As it is, I'll say that that's what it does, whether or not Brown consciously intended it.

Molly Bolt, Eternal Outsider )

069

May. 31st, 2009 09:18 pm
witticaster: A painting that serves as representation for one of my characters. (sukey poe)
At [personal profile] pitseleh's request, I'm putting up my other papers for leslit. This one was for Barrie Jean Borich's My Lesbian Husband. I disliked this book so thoroughly that I didn't finish it, and I didn't give the essay a good title. ^^;; That said, I managed to fake out something about time and narrative choices. >> I have further tl;dr thoughts on the book as a whole (as I do with all of these), but with only a single-spaced page to work with, one can only fit in so much.

My Lesbian Husband )

063

Apr. 30th, 2009 12:36 pm
witticaster: Several lines of crossed-out poetry and a hand holding a fountain pen, drawn in charcoal & ink. (sing like you think no one's listening)
I'm just really proud of how well (relatively speaking) I did presenting queer and queer theory as concepts.  So here is my script.  lawl.

 

what I like to call queory )

061

Mar. 10th, 2009 11:18 pm
witticaster: Several lines of crossed-out poetry and a hand holding a fountain pen, drawn in charcoal & ink. (Default)
My professor called it a "gorgeous paper" (which means she will be very disappointed by the one I turned in today >>), and I am pretty proud of it myself, considering. So, yeah, posting it. It's my response paper to Leslie Feinberg's Stone Butch Blues.

Thunder and Yearning: New Words for a Butch Narrative )

--

Aaaaand yeah, it's supposed to be that short. She likes 'em one page, single-spaced. It's both refreshing and terrifying.